【上海站】《假如,晚安》
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【上海站】《假如,晚安》
2021.12.18-2021.12.19    上海国际舞蹈中心—大剧场

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演出介绍


    假如 夜晚有一种长度被散落的思绪拉扯在洁白的时空里我会带上你送我的玫瑰披上头纱跳着牛仔的步伐奔跑在拉斯卡利亚的夜空里和你说一声 晚安...

     

    现代舞的前行开拓者、203Y舞蹈剧场创始人

    ——“小巨人”曾莹最新力作

    以梦境为载体 以男女关系为主题

    开启一场似幻非幻的对话和旅行

    打乱时序、切割空间、虚实交错

    在梦与醒的方寸之间 探寻你心中的拉斯卡里亚

    记不得65字的全剧名 却依稀可见镜像中的自己

     

    *拉斯卡里亚是作品虚构的幻境,指每个人心中那片存储快乐、悲伤、孤独、恐惧等不同情绪的地方

     

    关于《假如,晚安》

    夜渐深,在喧嚣渐退的街道上独自行走,在霓虹映射下的光斑中独自狂欢,在熟悉又陌生的房间里只身独处…..

    夜那么静,只因思绪飞扬。夜那么躁,只因躲避纷扰。

    夜漫漫,每一个看似独立的个体交织成群,犹如繁星那样汇成一片,拥抱彼此。

    此时,我仰望着夜空,轻轻地说一声:“晚安”。

     

     

    【演出亮点】

    你从未见过的65个字的长长长剧名

     

    《假如夜晚有一种长度被散落的思绪拉扯在洁白的时空里我会带上你送我的玫瑰披上头纱跳着牛仔的步伐奔跑在拉斯卡里亚的夜空里和你说一声晚安》,这部作品的完整标题高达65个字。

     

    玫瑰、头纱、牛仔、夜空...观众初见或许不会记住任何一个字,但这些词语会潜入观众的意识领地,在观看作品的过程中不停闪现。

     

    组合出现在脑海中的词语,你将会得到一个属于自己的故事。意象被重组、压缩、再造,成为你的答案。

    幻境之地"拉斯卡里亚",你才是创世主

     

    人物在白色房子的内外空间出现、存在、移动,拥有着各自的轨迹和意义。一道白色幕布将房子与人物隔开,呈现虚与实的视觉效果。作品游离在时间的线性发展之外。将时间顺序打乱,切割为一块块碎片,在各个空间内穿梭和交错。此时此地亦在彼时彼地,空间是流动的、时间是混乱的,好似一场梦境。

     

    "拉斯卡里亚"并不真的存在于世界上,也不一定叫这个名字,它是你的幻境凝化,存储着你的快乐、悲伤、孤独、恐惧……去寻找它吧,在“拉斯卡里亚”的夜空下道一声晚安。

     

     

    你无法得知这是清醒还是梦境,在下一次睁开眼之前

     

    作品以男女之间的情感为主线,展现有关相聚与别离的故事、记忆、梦境或臆想,呈现了一个流动的、往复的、交错的、亦幻亦真的意识空间。

    时间的碎裂、崩塌、断层、拼接则让现实世界质疑其合理性,但在意识、梦境等拥有各自逻辑的幻境中,一切将荒诞并合理地呈现。

    舞台上人影幢幢,但剧中人物是否真实存在,是否真的“在场”;故事是真实地发生、是记忆的重现、是梦境、还是臆想,都留有探讨的空间。

     

     

    以男女为主题,开启身与心的深度对话

     

    编导曾莹从男女最深层的心事开启探索之旅,两对男女分别表现不同时期男性与女性之间的关系,是所有故事与情感的载体;另外一名舞者则未有明显实体角色的“局外人”,亦虚亦实。

     

    作品真实并饱满地呈现一个个情境,以情绪的感染与震撼触动观众,唤起自身的经历与记忆,将话语权和思考空间交给观众。就像一面镜子,每个人都会在其中看到自己,并得到不同的答案。

     

    主创团队

    编导:曾莹

    舞者:吴茜、谢顺、张起博、陈艺洁、汤芷欣

    灯光设计:梁伟清

    概念行文:吴忆若凝

    后台助理:郑棉鹏

     

    Contemporary Dance
    If, Dreaming before 'Goodnight'

    Date: 19:30, Dec 18, 2021
    14:00, Dec 19, 2021
    Venue: Grand Theater @ Shanghai International Dance Center
    Duration: 60 minutes
    Choreographer: ZENG Ying
    Dancers: WU Qian, XIE Shun, ZHANG Qibo, CHEN Yijie, TANG Zhixin
    Tickets: 80/180/280/380/480 RMB
    Hotline: 021-52990372

    Notice for Audience
    Valid ticket must be produced to gain entry. Please keep the ticket properly, or the admission will be defined if the ticket is lost, destroyed or painted on.

    INTRO
    When the night getting darker, I walk alone on the fading noisy street and enjoy the carnival alone under the neon light and stay alone in the familiar and strange room.
    The night is silent for the diffusing thoughts. The night is noisy for hiding from the chaos.
    The night is long and each individual crosses forming groups, just like the stars embracing each other.
    Now, I stare at the sky and saying slightly “good night”.


    CONCEPT
    The modern dance If, Dreaming before 'Goodnight' takes the emotion between men and women as the main line, capturing the story, memory, dream or fantasy of reunion and departure, and manifesting a fluid, recurring, interlocked and surreal space of consciousness. It will be explained from four dimensions below.

    Space: the characters appear and move in and out of the white house, creating their own trajectories and symbolic meanings. A white curtain separates the house and people, showing the visual effect of virtual and real. The setting and people are separate from each other but latently linked with each other.

    Time: The narrative of the work will deviate from the linear development of time. It breaks the time orders and cuts it into pieces, crossing in each space. A thing happens as a shot flash or fades in and out. The links between them are like bell pendulous from the starting to the end then back to another starting, and repeating again and again.

    Characters: there are 5 dancers, and two pairs of man and woman respectively reveal their relationships in different times, which carry the whole story and emotions. The other dance is an outsider without specific role. The story flips at the end. Two pairs sometimes act as the characters in the outsider’s memory, sometimes act as the virtual roles in her dream or thoughts, sometimes act as the manifestation of her superficial and deep consciousness and emotions, sometimes act as symbols with metaphorical meanings.

    Virtual and real: the work tries to blur the line of virtuality and reality, giving a multitude of significances and a diversity of metaphors to a single thing,.

     

     

    Choreographer's words

    The settings and scenes such as the house on the stage are real and tangible, but a scene can exist in real space or only in the consciousness of the characters in the story, or it can be symbolic, or all above.

    The figures are visible on the stage but it leaves the space to explore whether they really exist, whether they are really on the stage, whether the story is real or memory, or dream, or just thoughts.

    The fragmentation, collapse, rupture and piecing-together of time make the real world question the rationality of its existence, but in the fantasy land with their own logic, such as consciousness and dream, everything will be manifested in an absurd and reasonable way.

    However, in all possibilities, the flow of emotion and consciousness is real and at present.

    The title has 65 letters. At the first slight the audiences may not remember anything but these words can permeate into their familiar consciousness and flash during their watching. They can get their own stories by remembering the words.

    The piece aims to show each scene in real and complexly, touching the audience with emotions and recalling their own experiences and memories. It leaves the right of talking and thinking to the audiences. It’s like a mirror where everyone can see themselves and get different answers.

     

    Creative team

    Choreographer: ZENG Ying
    Dancers: WU Qian, XIE Shun, ZHANG Qibo, CHEN Yijie, TANG Zhixin
    Lighting design: LIANG Weiqing
    Concept Writer:WU Yiruoning
    Backstage assistant: ZHENG Mianpeng


    Guided by Shanghai municipal instructions for art centers, following countermeasures are implemented by Shanghai International Dance Center Theatre to prevent COVID-19 virus:

    1.Tickets purchasing: Please select your seats online and both e-tickets and printed tickets by mail will be valid.
    2。 Ticket claim: Please get your tickets before the performance date or 90 minutes before the performance and follow our staff’s guidance to keep social distance.
    3. Entering time: The audience can start to enter the auditorium 60 minutes before the performance starts.
    4. Validation: Please walk pass the gate in turn at the main entrance to have your Shanghai QR code checked and temperature measured. Please wear a face mask to enter the theater.
    This notice will be adjusted according to the city’s further guidelines based on the pandemic’s situation.

    剧照




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